Nationality: Scotland

Ground by Alastair Cook

Poet: | Nationality: , | Filmmaker:

I’ve shared a lot of filmpoems here made by the Scottish artist and filmmaker Alastair Cook, but this one’s the work of someone else: Ginnetta Correli directed and edited this film using Alastair’s reading of some haiku he wrote for a multi-author linked verse sequence. He blogged about the film:

I don’t write terribly much (as you may have noted) and am perhaps unnecessarily precious about what I do write (see Abachan, for instance) and am pleased to see what such a wonderful, dark filmmaker can make of my words. Filmpoem is filmpoemed!

This was featured in VidPoFilm a few weeks ago.

Ground has an impenetrable quality. The film imagery, poem and reading approach each other without quite meeting. In that circle of visual and verbal imagery and the emotion of the voice of the reader, we witness a flame dancing without knowing who lit it, who blows on it, or why it goes out, if it does.

Something profound happens. But what? Is the poem notes on death and what resurrects us through life? Or the dream of a life?

Read the rest.

Foreign Lands by Robert Louis Stevenson

Poet: | Nationality: , | Filmmaker:

Update: this video is no longer online.

This seemed like a fitting follow-up to yesterday’s Ruben Dario videopoem. Ilsa Misamore made the animation, with cut-paper sculptures by Helen Musselwhite.

To a Mouse by Robert Burns

Poet: | Nationality: , | Filmmaker:

A gorgeous, grungy animation and great reading (by Bill Patterson) of the classic poem, created for the Robert Burns Birthplace Museum, Alloway, Scotland. Barnaby Hewlett directed. Produced by Spiral Productions.

Prodigal by Kona Macphee

Poet: | Nationality: , | Filmmaker:

Alastair Cook‘s 11th filmpoem. His description at Vimeo is worth quoting in full:

Prodigal is a film of Kona Macphee‘s poem, which was born from Andrew Philip’s project for the second Hidden Door festival, held in Edinburgh in October 2010: I was asked to record a reading of the poem. As I read it, I felt its power and resolved to make a filmpoem. I commissioned a cello piece from Rebecca Rowe and we performed this live at the Poetry Association of Scotland‘s meeting on 9th March 2011, at the Scottish poetry Library. A new direction for these perhaps, the addition of live performance… but the work is as dark and mercurial as ever.

Abachan by Alastair Cook

Poet: | Nationality: , | Filmmaker:

I’ve featured a number of Alastair Cook‘s filmpoems for other poets’ work, but this is the first one he’s made for a poem of his own. It’s due to premiere at a Geopoetics conference on March 27th at John Ruskin’s house, Brentwood, in the Lake District.

Today also we bring you the full text of Alastair’s think-piece on the poetry-film genre, “The Filming of Poetry.” Please go read and add your own thoughts. This first appeared in paper form at Anon Seven last summer. Thanks to Alastair for letting me repost it.

MacAdam Takes to the Sea by Andrew Philip

Poet: | Nationality: , | Filmmaker:

A masterful filmpoem by Alastair Cook — be sure to expand it to full-screen size. Check out Andrew Philip’s website. In an accompanying note on Vimeo, Cook indicates that the film was commissioned for the Hidden Door festival in Edinburgh, where it premiered last month.

Currie by Dorothy Baird

Poet: | Nationality: , | Filmmaker: ,

This new collaboration for the This Collection project features Anna Dickie, who also contributed a poem to the project (see “Same Place, Different View“), in charge of camera and editing, joined by Stefanie Tan for the sound editing. As Stefanie explains on Vimeo,

With the help of the local butcher, traffic lady and sporting residents, Dorothy Baird and Anna Dickie bring to life the portrait of Edinburgh’s unassuming suburb, Currie.

The bus 44 links Anna’s stomping ground, Haddington to Dorothy’s neighbourhood, Currie and this intimate collaboration adds to the magical mysterious connections the poems from thiscollection continues to unearth.

Anna used only photographic stills to piece together the concept for the film.

For more on Dorothy Baird, here’s a bio and interview.