Nationality: Nigeria

Fuck / Our Future by Inua Ellams

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A video made for some kind of climate series at The New York Times, locked behind the paywall, I think. My request for clarification on filmmaker(s) has gone unanswered, but it seems the result of a collaboration with the photographer named at the beginning, Josh Haner, a Pulitzer-winning feature photographer for the paper. Ellams himself also works in graphic art and design. I like how the poem’s searing language is mediated by the intimate space of an online reading, giving way to natural places and a more-than-figurative tree of life.

Earlier we shared a film by Jamie McDonald for the title poem from Ellam’s 2020 collection The Actual, among several other video interpretations of Ellams’ work. It’s fascinating to see giant legacy media organizations like the NYT and the Financial Times promote Ellams’ poetry, almost as cover for their ceaseless promotion of the planet-destroying financial and military/industrial machines.

To John by Inua Ellams

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A video animated and edited by Jamie Macdonald AKA Airship23 for the Financial Times:

FT Weekend Festival 2021 commissioned Inua Ellams to write a response to Keats’s classic work ‘To Autumn’ marking his 200th anniversary. The animated poem ‘To John’ exposes the impact of humans on nature over those 200 years.
Financial Times website

For more on Ellams, who’s something of a Renaissance man, do visit his website. He teamed up with Macdonald back in 2020 for the trailer for his book The Actual/Fuck.

Hat-tip to poet Josephine Corcoran for blogging the link.

The Actual / Fuck by Inua Ellams

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This animated typography film by Jamie MacDonald is a trailer for Inua Ellams‘ forthcoming collection. In a blog post yesterday, he wrote:

It gives me the greatest pleasure to share with you the trailer for The Actual / Fuck. This poem is made up of all the titles in the collection, essentially a list poem in its own right. It was put together by Jamie MacDonald (who created the trailer for An Evening With An Immigrant) and shows his incredible skills and attention to detail.

Don’t forget, you can pre-order the collection right now from Penned In The Margins.

And from that latter link, here’s the publisher’s description:

The Actual is a symphony of personal and political fury — sometimes probing delicately, sometimes burning with raw energy.

In 55 poems that swerve and crackle with a rare music, Inua Ellams unleashes a full-throated assault on empire and its legacies of racism, injustice and toxic masculinity. Written on the author’s phone, in transit, between meetings, before falling asleep and just after waking, this is poetry as polemic, as an act of resistance, but also as dream-vision. At its heart, this book confronts the absolutism and ‘foolish machismo’ of hero culture-from Perseus to Trump, from Batman to Boko Haram.

Through the thick gauze of history, these breathtaking poems look the world square in the face and ask, “What the actual—?”

Lantern Smoke by Dagogo Hart

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This film by Steven Beatsmith for a poem by the Dublin-based poet Dagogo Hart was a runner-up in Button Poetry‘s 2017 Video Contest.

Black Woman by Olufunke Adeniyi

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“Shot with a 16mm film Bolex, this film depicts an identity that has always existed, but rarely acknowledged,” notes poet-filmmaker Olufunke Adeniyi on her Tumblr blog. Black Woman won Best Production 1 Minute or Under at Rabbit Heart Poetry Film Festival 2017, and was a finalist in both the Best Sound/Music and Best Overall Production categories. Toks Adeniyi is the actress and Faith Osunde provided the voiceover; the score is by Olufunke Adeniyi and Jay Moh Productions.

Poem on Prayer by Tolu Agbelusi

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I see a lot of religious poetry videos on Vimeo and YouTube, and most of them, it has to be said, are pretty godawful. Not this one! Filmmaker Toby Lewis Thomas and poet Tolu Agbelusi really raise the bar for poetry films of Christian witness in this video uploaded a week ago by the London Diocese, who note:

On 3 June, we hosted a beacon event at St Paul’s Cathedral as part of the global wave of prayer “Thy Kingdom Come”. Tolu Agbelusi, a Nigerian British poet, playwright, facilitator and lawyer, wrote a poem on prayer commissioned specially for the event.

Tolu worships at St Luke’s Kentish Town and her father is Vicar at Christ Church, Crouch End.

The film was made in London by Toby Lewis-Thomas who is part of St John at Hackney church, with the support of Christian Vision.

Wake Up by Tolu Agbelusi

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A poetry-film collaboration between London-based Nigerian poet Tolu Agbelusi and director HKB FiNN of JustJazz Visuals. Somehow the poem’s story of an interpersonal cycle of abuse seems appropriate to the political moment.

Check out a couple of additional films on the Video & Audio section of Agbelusi’s website.

I have stolen everything by Abeer Hoque

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This is one of three short films by the New York-based filmmaker Josh Steinbauer based on poems by Nigerian-born Bangladeshi American writer and photographer Abeer Hoque, all from her book of linked stories, The Lovers and the Leavers (HarperCollins India, 2015). The third partner in this collaboration was the band Dragon Turtle Music, which supplied the soundtrack for each of these deceptively simple videopoems. Watch all three at Scroll.in (but be careful: it’s one of those annoying sites that sends you off into a new article if you scroll down too far).

Dolphins (excerpt) by Inua Ellams

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Inua Ellams‘ contribution to Refugee Tales, a project dedicated to “walking and sharing Tales until indefinite immigration detention ends in the UK.” The film was made by the Thomson Reuters Foundation, shot and edited by Shanshan Chen with additional camera work by Amelia Wong and original music by Paul Mottram. I found this via a post in the excellent online magazine Aeon:

‘No one leaves home unless home is the mouth of a shark.’

Occasionally, stories of refugees fleeing desperate circumstances in their home countries make the mainstream news cycle – usually following the horrifying discovery of dozens found dead in transit on land or at sea. But much more frequently, the trying and terrifying journeys of migrants to find a safer place to live go all but ignored.

Having escaped the Islamic extremist group Boko Haram, Nigerian-British writer Inua Ellams knows something of the migrant experience, but he says that the nightmarish journeys of refugees is still something he can hardly fathom. Nevertheless, in Inua’s Dolphins, Ellams adds insight and artfulness to the migrant experience by transforming the stories of children who have fled their homelands into poetry, imbuing the horror with a humanity that is compassionate but clear-eyed.

New Year Philosophy #5 by Inua Ellams

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Art direction and animation by Jonathan Mckee for Smile for London. Inua Ellams is a word and graphic artist from Nigeria.