Nationality: Germany

Schöne Jugend (A Fine Childhood) by Gottfried Benn

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The Gottfried Benn Electronic Library includes an English translation of this poem (click through to read it side-by-side with the original):

A Fine Childhood

The mouth of a girl who had long lain in the reeds
looked so chewed up.
When we broke open the torso, the esophagus was so full of holes.
Finally in a bower under the diaphragm
we found a nest of young rats.
One little sister rat lay dead.
The others were living off liver and kidney,
drinking the cold blood and enjoying
a fine childhood.
And fine and fast was their death too:
we threw the whole bunch into water.
Oh, how those little snouts squeaked!

As for the film, this is a bit of a remake with extra audio effects added. Here’s what Lasse Kuhlmann posted in the description at Vimeo (italics added):

Schöne Jugend (A Beautiful Youth) is an award winning 60 seconds short film based on the same-titled poem by Gottfried Benn. This modern interpretation of Benn’s classic (poem) illustrates today’s society in a clear-cut formal structure. It is shot in only one take, one steady camera-spin of 360 degrees. The PoV (point of view) is thought to be in the middle of a table, around which eight people are eating in a gross manner. The well-thought-out visual concept is both enhanced and contrasted by the raw cruelty of human disgust.

Schöne Jugend was entirely reworked for the KLX 3D Sound format. While the original clip features only a narrative voice and “silent” pictures, Lasse Kuhlmann and Patrick Leuchter enriched the soundtrack by breathing life to those eight people shown in the frame. And while the camera spins around, the sound will spin AROUND YOU just accordingly.

Schöne Jugend wonderfully demonstrates the immersive real-life experience of the KLX sound format and was kindly provided by the director himself, who is highly enthusiastic about the new version.

[meine heimat] by Ulrike Almut Sandig

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The 2012 ZEBRA Poetry Film Festival has introduced a new contest, inviting filmmakers to

make a film of the poem [meine heimat] by Ulrike Almut Sandig. The directors of the three best films will be invited to come to Berlin to meet the poet and have the opportunity of presenting their films and talking about them.

This is Swoon‘s entry. Ulrike Almut Sandig’s webpage is here, and there’s a bio in English at the online journal No Man’s Land.

Seepferdchen und Flugfische (Seahorses and Flying Fish) by Hugo Ball

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And now for something completely different: Bob Marsh chants the 1916 Dada sound poem by Hugo Ball in a marvellous video interpretation by drummer and videographer Grant Strombeck.

Nachtfahrt / Night-Drive by Ruedi Bind

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http://www.youtube.com/watch?v=OnKvSJRjQKA

This delightfully strange videopoem has “Monday” written all over it. Let me just paste in the credits and description from YouTube:

videopoem by Hansjörg Palm + Ruedi Bind
7:10 min, 2010, D + CH
Concept, camera, performers, speakers: Hansjörg Palm, Ruedi Bind
Editing, sound, music, costumes: Hansjörg Palm
Poem: Ruedi Bind
nominated:
2011 Internationales Kurzfilm Festival, Hamburg
2010 ZEBRA, poetry film festival, Berlin / La.Meko, kurzfilmfestival, Landau

Ein alter Mann taucht ab in eine Nachtfahrt.
Dort begegnet er überraschenden Gestalten und Landschaften.
Er taucht gänzlich verwandelt wieder auf, mit neuem Blick auf sein Leben.

An old man dives into the night.
He meets surprising figures and landscapes.
Ascending he finds himself completely changed.

I should note that I found this via ZEBRA Poetry Festival’s Twitter account, @ZebraFestival, which is currently the most useful filmpoetry/videopoetry-related Twitter feed of which I’m aware.

The Interrogation of the Good by Bertolt Brecht

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“This short animation features a collaged portrait composed of various contemporary world leaders reciting Bertolt Brecht’s poem ‘The Interrogation of the Good,” says Esteban del Valle in the description at Vimeo.

tour de trance by Monika Rinck

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Argentinian-born artist and composer Mario Verandi directed and wrote the music for this “audiovisual composition,” as he calls it, which appears to have benefitted from a very active collaboration with the poet: that’s Monika Rinck’s face in the film and her voice reciting the German text. I was also interested by the fully bilingual nature of the compostion, the German in the soundtrack alternating with English in a different voice (that of Douglas Hendenson). The film premiered at the 2008 ZEBRA International Poetry Film Festival in Berlin.

For more on poet, essayist and actress Monika Rinck, including English translations of some of her poems, see her page at Poetry International Web.

Die unsichtbare Hand (The Invisible Hand) by Daniel Falb

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The last of the three collaborations between German poets and Israeli filmmakers sponsored by the 5th ZEBRA Poetry Film Festival. Christian Hawkey is credited as translator for the English subtitles. I was struck by how the inclusion of a song at the end, during the credits, helps unlock the meaning of the videopoem.

For more poems from Daniel Falb in English, as well as a bio, see Poetry International Web.

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