It was midnight in Melbourne when I wrote Nailing Remembrance after feeling a cold fire burning in me. I had just finished reading about the journey of a girl from my valley in Afghanistan in the late 1800s. A princess turned into a slave, she was elegant and in-love, layered and lonely, resilient and secretive. Besides the brutal political context of the time and her painful destiny, this poem is capturing her layers of inner feelings, sense of loss, vibrant and violent moments of the time and the strength in her struggle. Nailing Remembrance is a window into the museum of a forcefully forgotten self.
Produced by the Poetry Foundation to accompany the June issue of Poetry magazine, which was entirely devoted to the two-line Afghani poems known as landays. Seamus Murphy‘s film includes lots of stunning shots, and displays familiarity with the filmpoem genre in its imaginative conjunctions of text and image. Murphy has been taking still photographs in Afghanistan since 1994, and some of them accompany his fellow journalist Eliza Griswold‘s essay on, and compilation of, landays for the magazine. One thing the film contributes to the issue is the sound of the Pashto originals, which aren’t otherwise included in the online feature.
A story from PBS NewsHour provides additional background about the project: