A new videopoem by Marc Neys in response to a text and reading by Czech poet Jaromír Typlt, translated for the English subtitles by David Vichnar. The footage is from Jan Eerala, and the music is Neys’ own. He quotes Typlt in the Vimeo description:
The central image of the poem is the “postcard rack”, but the second meaning is now also the meaning of corona-restrictions of the international movements: I wrote the poem in my Paris isolation (confinement).
Typlt added this in a blog post (adapted from a Google translation):
There are two dangers to “filmed poems”: either they illustrate the text too literally with a picture, or they are so loose that they are interchangeable with anything else. And that is why for me SWOON (Marc Neys), a video artist from Belgium, is such a remarkable phenomenon: he can open a space free enough for the text, and at the same time close-fitting. […] The film A Parade is our third collaboration after In the Sign (2013) and Instincteia (2014). This time the voice recording was not made in the studio, but in makeshift conditions at the same window in Paris where the whole strange vision was born on April 10, 2020…
In 2014, Belgian film-maker, Marc Neys (aka Swoon), made a video of Bill Yarrow‘s poem, Bees in the Eaves. Five years later, Marc has just released a new video for the same poem, with new images and music.
Watching the two very different treatments of the same text suggests the changes in sensibility an artist may undergo over time. Even the voice performance, from the same recording by Nic S., has a distinctly varied aural quality, pace and mood in this new version.
The disturbing images in the 2014 video display a directly metaphorical relation to ideas in the poem. In a way akin to the horror genre, the earlier film evokes a strongly emotional response.
In this latest video, the connection between image and word is much more oblique, creating a more contemplative, yet still dynamic, meaning of the poem. While both videos employ repetition to great effect, the 2019 version is more graceful in its approach to film form.
Marc’s striking approach to editing, and his surprising rhythms, remain evident in both videos. This new video is further testament to his unique and masterful work in video poetry.
Words and voice are by Lucy English; film, grading, editing and music by Marc Neys AKA Swoon — his most recent contribution to The Book of Hours project. It features orphaned home movie footage from IICADOM (The International Institute for the Conservation, Archiving and Distribution of Other People’s Memories).
Concept, editing, grading & Music: Marc Neys
Field recordings and footage: Jan Eerala
Extra Footage: FKY (from ‘The Sea Also Rises’)
webpage: vimeo.com/fky – Licence: ATTRIBUTION LICENSE 3.0
Thanks to Mazwai & Ray Hsu
Marc Neys AKA Swoon‘s latest video for a poem by Lissa Kiernan incorporates footage by Grant Porter, Tim Williams and Mikeel Araña. Marc’s original composition features in the soundtrack alongside Lissa’s recitation.
A new film by Marc Neys AKA Swoon using a text and reading by American poet Lissa Kiernan, his second collaboration with her (see Witness from 2013). Marc used footage by Finn Karstens and Graham Uhelski.
A videopoem by Marc Neys A.K.A. Swoon with poem, voiceover and sounds contributed by Sophie Reyer, piano music by Liu Winter and footage by Jan Eerala. The overall soundtrack composition is Marc’s, along with “mastering, add. camera, editing, grading & concept,” according to the Vimeo description.
This was not Swoon’s first collaboration with Sophie Reyer; he also worked with the Austrian writer and composer two years ago to make Abschied. Metamorphosis was among the 16 films selected for the 2nd Weimar Poetry Film Award.