Last year, I shared two videos made with Lisa Vihos‘ poem “Advice Dyslexic”: one by Dale Wisely and one by Marc Neys AKA Swoon. Now Marie Craven and Nigel Wells have given us two more. Craven explained on Facebook that she and Wells had challenged each other to each make a short video out of the poem over the long holiday weekend, and both decided to use Nic S.’s voice recording in their videos.
Both of the videos take a fairly literal, illustrative approach to the text, but for once, this seems to work, I think because the poem is so playful. The videos simply build upon that playfulness, keeping things light and fast-moving.
American poet Kallie Falandays’ text is superimposed onto mirrored images in a new videopoem by Australian artist Marie Craven. The soundtrack is by SK123. This approach to video imagery is one that Craven has used before, in her videos Transmission and Double Life, but One Dream Opening Into Many is in my view even more effective in its sleight-of-hand gestures toward the text:
[…] This bird,
which is also not a bird, is still dying
but at times, when my mother hobbles
past the window to get water,
the sunlight clouds it like tiny people
made of light stepping over the ocean
and it is set free.
Perhaps it’s an inversion of our usual way of thinking about poetry to have the text-on-screen in this videopoem seem more stable, less evanescent than the folding and unfolding elements of the world to which it alludes.
A new, text-on-screen-style videopoem by Australian artist Marie Craven using a text by American poet Eric Blanchard and sections of three hand-processed, experimental films. Craven recently shared some process notes as a part of a blog post about her recent videopoetry remixes.
After putting together a first videopoem last year based on the poetry of Eric Blanchard, I went exploring more of his writing to be found on the web. I was especially drawn to a prose poem called ‘The Meeting Ran Long‘, published in Literary Orphans. The piece created for me a sense of daydreaming in an empty room in a transitional moment of solitude, evoking a short stream from the unconscious mind. I started experimenting with how I might present this as text on screen and settled on simply deconstructing the written piece into component phrases that might reveal or give rise to new resonances in the unconscious spaces of the writing itself. Once I had transferred all the text to the screen, I cut the visual phrases to an experimental music piece by C.P. McDill, a sound artist whose work I have followed and admired since about 2008. The track, ‘Iced Coffee‘, was sourced from The Internet Archive, where it is freely available for remixing on a Creative Commons licence. For the images I went to Vimeo and did some searches on key words in their large pool of videos also available for remixing via Creative Commons. I discovered the work of the Mono No Aware group and selected three hand-processed films by Rachael Guma, Ashley Swinnerton and David Beard. Aside from being wonderful experimental film pieces in themselves, each flowed in a kinetic way that reminded me of the pace of thoughts, memories and images as they flow through a human brain. I put these together with a universal film leader from an old vaudeville show to come up with a first draft of the video. I then sent it to the poet to ask his permission to proceed with a final version. Eric kindly agreed. After a little reworking, this is the video that emerged.
Australian artist Marie Craven describes her first videopoem in many months as
Some fun with Sheffield dance music, DIY visual fx and poetry.
Concept & Editing: Marie Craven pixieguts.com
Music & Mixing: Adrian Carter soundcloud.com/adicarter
Voice: Nic S. verylikeawhale.wordpress.com
From a poem by Ashleigh Lambert poetrystorehouse.com/2015/03/28/ashleigh-lambert-poems
It’s nice to see filmmakers continuing to draw upon work in the Poetry Storehouse.
Marie Craven remixed some surreal footage by Simone Mogliè and Fernanda Veron, music by Adrian Carter, and Nic S.‘s reading of a poem by Kallie Falandays at the Poetry Storehouse. (Nic has also made her own video for the poem.) I’m especially impressed by the bold choice of music. It shocked me at first, but I eventually came to feel that it provides just the right contrast for the dream-like imagery, throwing it and the voiceover into high relief. I can’t tell you how many videos I’ve chosen not to share here just because the music struck me as too stale or predictable.
Just a few days ago I read a lovely poem called ‘Solar Therapy’ by Alaska-based artist and writer, Michele S. Cornelius and published in the multi-media literary journal, Gnarled Oak. As it happened, I already had images and music on hand, edited together and waiting for a poem that would mix well with them. I recognised the potential in Michele’s piece straight away and completed this video in the 24 hours following the poem’s first public appearance. The music is by Western Australian ensemble, Masonik, whose soundscapes I’ve appreciated over a number of years. This track is called ‘Bending Light For The Magi‘. I sourced it at the Pool group on Facebook, where it was posted on offer for remix. The images are from the royalty-free stock footage site, VideoBlocks. With a minimal piece like this the small details become magnified. I spent a surprising amount of time on minutiae in the editing, especially deciding how to present the phrases of the poem on the screen and where and when the text should best be placed. In the end, as is often the case, simple seemed best.
Click through to read Marie’s process notes on three of her other recent videopoems, as well.
This is the second of two films by Marie Craven using Poetry Storehouse poems by A.M. Thompson. (I also liked the first, Unavoidable Alchemy, but felt that it ended too abruptly.) Here she has used footage by Mollie Mills, guitar music by Josh Woodward and a voiceover by Nic S. to create a surprisingly upbeat video remix. I’ll let viewers decide whether it succeeds, but I salute its boldness as an experiment in confounding expectations. (Read the text.)