Filmmaker: Amrita Singh
Filmmaker: Laurice Oliveira
Filmmaker: Jane Glennie
A poem from Canadian poet Doyali Islam‘s second collection, heft, gets three different film interpretations, thanks to the wondrous Visible Poetry Project, which released these on April 12. I’ll take the liberty of lifting their bios for each of the filmmakers (though Jane Glennie is probably already familiar to many Moving Poems readers):
Amrita Singh is a writer/director born in Chennai and raised in Chicago. She’s currently attending NYU Tisch’s Graduate Film Program and developing her thesis film about a ruthless spelling bee wunderkind and her immigrant family.
Born in Brazil, Laurice Oliveira bravely moved to NYC with the ambitious hope of becoming a filmmaker. In her long journey to The Big Apple, Laurice met the unseen people and listened to unheard voices. From people of the poorest Brazilian slums to abused immigrant workers in the US, Laurice has made her goal to tell the stories of people that often do not have the privilege of being seen or heard by society.
Jane Glennie is an artist, filmmaker and typographic designer. Previous projects include an installation at The National Centre for the Written Word in the UK, and the publication of ‘A New Dictionary of Art’. Her videopoetry has been awarded a special mention at the Weimar Poetry Film Award in Germany and she was a finalist for Best Production One Minute or Under at Rabbit Heart Poetry Film Festival 2018. Poetry films have been selected for festivals in the UK, USA, France, Germany, Ireland and Singapore.
A poem by Austin, Texas-based writer Brittani Sonnenberg adapted for the Visible Poetry Project by UK artist Jane Glennie. “A key technique in her films is to take hundreds of photographs, which are edited and sequenced into rapid ‘flicker films’ and combine them with composite soundtracks,” as Gklennie’s bio on the VPP website puts it.