This film came while I was concentrating on two other films, which will be part of my solo film, photography and glass show How the Land Lies in Edinburgh this spring.
This is also a farewell to Kodak, of sorts, as there’ll never really be a goodbye embrace- entirely made from Kodachrome Super8, wildly out of date. And a homage to my solace, Portobello.
Thanks to Erstlaub for the sound design, a drone star.
14th Avenue Tshwane (née Pretoria) is a poem by Gérard Rudolf from his collection Orphaned Latitudes. It is my first work of 2012 and illustrates the year’s intent: it is made from tangible film, not digital recordings, and 2012 is the year of using the digital to edit the analogue. I cannot edit without digital, I cannot make film without analogue. The year of Rollei, Bolex and Collodion. See you soon and Happy New Year!
This film contains Standard 8, Super 8, 16mm and miniDV, edited digitally.
The text of the poem appears on the publisher’s page for Orphaned Latitudes.
Slow Wave Through The City is a poem by Jacq Kelly, published by Colin Herd this year. It crossed my path digitally and I watched the film in my head as I read, my adopted city of Edinburgh speeding by.
Jacq lives in Edinburgh but dreams of moving to Sweden and becoming a viking. Until this happens, she spends her time writing poetry, fiction and trying to make a difference in politics as a campaigner.
Slow Wave Through the City was filmed in Edinburgh on 8mm film in Summer 2011 on a long walk with the poet; it was shot using Ektachrome Super8, processed in Kansas by Dwaynes.
By way of a coda, this is a first, a Scottish Filmpoem. Looking through all 15 films, this is the only one which has only Scots contributors for the film, narrative and music. This was not deliberate, but is fitting, since it’s devoted to Edinburgh.
It’s been swirling around my head all summer, while baby Rose has been born and grown; Philosophy is a joy, bright and full of life, bursting.
It has been long in gestation but it has been a real pleasure to make this one; the entire film was shot on Ektachrome Super 8 and processed at Dwaynes in Kansas, whose praises I cannot sing high enough.
And it has also been a pleasure to be able to include Vladimir Kryutchev’s incredible sound work again. His site at oontz is a wonder for binaural loving sound folks.
This one’s for my boy, Charlie.
Jo Bell blogged about the new videopoem here.
The project takes its lead from the Victorian street gang, of women and their children, who plagued the Elephant and Castle; it draws in the current landscape and it’s deteriorating edge, a farewell to the Heygate and Aylesbury estates; this is a dark trawl through threat and desire, driven by Gérard’s incredible words.
The Forty Elephants premiered on 8th April at Alastair’s fine art photography show at The Howden.
Prodigal is a film of Kona Macphee‘s poem, which was born from Andrew Philip’s project for the second Hidden Door festival, held in Edinburgh in October 2010: I was asked to record a reading of the poem. As I read it, I felt its power and resolved to make a filmpoem. I commissioned a cello piece from Rebecca Rowe and we performed this live at the Poetry Association of Scotland‘s meeting on 9th March 2011, at the Scottish poetry Library. A new direction for these perhaps, the addition of live performance… but the work is as dark and mercurial as ever.
Condition of Fire is the debut collection from JL Williams, published by Shearsman. The author’s reading of seven poems from the book is combined with a commissioned sound work by Luca Nasciuti in this new filmpoem by Alastair Cook.