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A poetry video from Belarus, made collaboratively by the poet and performer, Hanna Komar, and photographer/artist Oleg Agafonov. Both are based in Minsk.
Hanna is the author of two poetry collections, Fear of Heights in Belarusian and a bilingual collection, Recycled, as well as a collection of Belarusian translations of Charles Bukowski. She writes in Belarusian and translates her texts into English. In addition to her YouTube channel, she also shares her work on Patreon.
This was made originally as a book trailer, to capture the essence of Lilián’s latest collection Bestial published in Zaragoza, Spain, by Papeles de Trasmoz, Olifante Editions, 2019. Her collection explores her Afro-Colombian roots and the death of her father. While writing the poems she was taking African dance classes in Madrid and we wanted to capture something of the African influence in this poetry film.
We live in a neighborhood of Madrid with a large migrant population, with people from Senegal, Guinea-Conakry, Morocco, Bangladesh, China, etc., and us (Colombia and New Zealand), and we decided to film this at night in streets with the dancer Marisa Cámara (Guinea-Conakry) and the poet and performer Artemisa Semedo (Galicia/Cape Verde). The music is ‘Zuru’ by the Colombian duo Mitú.
I include Catarsis in my Poesía sin fronteras program exploring translation, otherness, identity and death in cinepoetry from across the Americas, which by the way is available for public screening anywhere in the world — whenever such a thing becomes possible again. In the meantime, you can watch all the films here.
A brilliant music video/videopoem hybrid directed by Daniel Broadley for a new single by LYR, adapting a poem by Simon Armitage, the current poet laureate of the U.K. and all-’round mensch. I love the involvement of people under lockdown and the incorporation of visual text—it gives the video a real populist feel, while simultaneously gesturing toward visual and concrete poetry. And as music I think the soundtrack succeeds in being both catchy and inventive.
There was a Guardian article about the collaboration between Armitage and the band, but it didn’t say anything about the video, so I’ll quote the YouTube description instead:
Lockdown is a new song by LYR, featuring Florence Pugh and Pete Wareham of Melt Yourself Down. The song is set to a poem by poet laureate Simon Armitage, written in response to the coronavirus restrictions. ‘Lockdown’ moves from the outbreak of bubonic plague in Eyam, Derbyshire in the 17th century – when a bale of cloth sent from London inadvertently brought fleas carrying the plague – to the poem Meghadūta by the Sanskrit poet Kālidāsa, which follows the legend in which an exile sends words of reassurance to his wife in the Himalayas via a passing cloud.
The song was recorded and filmed remotely at the height of the COVID-19 pandemic. Proceeds from the release will go to Refuge, a UK-based charity providing specialist support for women and children experiencing domestic abuse. The video was directed by Daniel Broadley. Filmed in Bristol in May during lockdown, he asked locals to partake in the project from a safe distance, resulting in a series of smile-inducing clips.
“I’m constantly looking for positives within this negative period of our lives. This project allowed me to reach out to Bristol locals from all walks of life, people who are outside my circle whom I would normally not have the pleasure of meeting, let alone collaborating with. Even at a distance I felt a wonderful connection with these people who all poured their time and energy into bringing this piece of work to life.”
For each download sold in the UK or accounted to Mercury KX in the UK, Mercury KX will donate £0.50 to Refuge (Registered Charity number 277424). 150 paid or ad funded streams shall count as 1 download.
Writer and artist Shin Yu Pai told us that
“Embarkation” was created with Scott Keva James and commissioned for the Ampersand Live! showcase in Seattle in Fall 2019. We initially created the piece as a performance-based work with a two-channel video projection (one on my body, and one on a screen behind me on stage); and then adapted it as a film. “Embarkation” also recently showed at Cadence Festival.
The YouTube description supplies additional background:
Embarkation reimagines the traditional Wang Yeh Boat Burning Festival, a Taoist ritual, that takes places in the southern port town of Donggang, Taiwan, every three years. A life-sized boat is built by the community and loaded with the hopes and the fears of the people. The gods are then invoked to pilot the barge up to the heavens in a send-off of fireworks and flames.
Footage of the festival was provided by Ye Mimi, a gifted filmpoet in her own right.
Jim’s poem was inspired by the experience of seeing Patti Smith in the ’70’s at a small theater in the Detroit area. By coincidence, Matt went to the same theater to see movies as a child.
For the film’s sound composition, Matt has sampled just the first powerful line of Patti’s voice in “Gloria”. In audio editing he rearranges the sung phrases to form a new, minimal, poem-song in itself. This is in sympathetic contrast to the printed words of Jim’s poem, which appear on the screen. It’s as if they are two poems side by side.
Matt says of his approach to making the piece: “It’s pretty raw intentionally as I was trying to catch that Patti Smith vibe.”
I find it hauntingly emotional, deep, original.