Posts in Category: Videopoems

Love’s River of Errors by Dave Richardson

Poet: | Nationality: | Filmmaker:

“The ocean, addiction, making a few collages to discover some kind of meaning…In memory…” Thus reads the description to this moving, personal video essay by artist Dave Richardson, which explores the collage-like nature of memory itself. It was featured at Atticus Review back on May 5, accompanied by an artist’s statement. Here’s a snippet:

For my own personal or collaborative creative work, I am always trying to lose a sense of control, to move beyond the expected visuals and to not overthink the final results, to leave some of the process evident, the rough edges. I agree with the graphic designer Paul Rand when he said, “To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse. To design is to transform prose into poetry.”

Read the rest.

Kanten deiner Augen / Edges of your eyes by Yevgeniy Breyger

Poet: | Nationality: , | Filmmaker:

“Gaps in the fog allow a look inside: A foreign environment, observing trees and falling birds.” Melissa Harms (A.K.A. MelissaMariella) directs and animates a text by Ukrainian-German poet Yevgeniy Breyger in this film from the Lab P project’s 2014 series. (The films were kept off the web for a couple of years, which is why I’m only getting around to sharing them now.)

Heartbreak by Emmet Kirwan

Poet: | Nationality: | Filmmaker:

An exemplary spoken-word poetry film directed by Dave Tynan, featuring actors Jordanne Jones and Deirdre Molloy as well as the poet himself, Emmet Kirwan. It was selected for Special Mention this past weekend by the jury of the Weimar Poetry Film Award, on which I was honored to serve along with animator Ebele Okoye and writer Stefan Petermann. Our statement, translated from the German:

What questions can a poetry film take? Perhaps: in what kind of a world do we live? And in what kind of world do we want to live? In a stirring manner, Heartbreak pursues this question. The film by Dave Tynan tells the story of a young, Irish girl who unintentionally gets pregnant and had to raise her son all on her own. At the same time it is the history of a misogynist structured society and this, not only in Ireland, but everywhere in the world. Carried by the passionate, multi-faceted oration of the Spoken- Word poets Emmert Kirwan, an efficient camera and a wise narration Heartbreak plays around the questions of self-determination about own bodies, objectification, sexism and gender roles. The film succeeds in an impressive way, to translate the powerful words into touching images while remaining clear and direct. Tynan and Kirwan know how to arouse empathy, stimulate thoughts concerning a situation, but above all, anger!, yet, looking into the future with confidence. Heartbreak is a feminist poetry film for women and men. Courageous, angry, heartbreaking; an exclamation mark. A film the world must see. C’mere, C’mere, C’mere.

The YouTube description notes that it was “commissioned and developed by THISISPOPBABY as part of RIOT, Winner of Best Production at Dublin Fringe Festival 2016.” To date it has been viewed over 1.3 million times on Facebook and 201,000 times on YouTube, where it has inspired a lively discussion, with the usual #notallmen idiots vastly outnumbered by those resonating with its message.

Words When Bored by Bob Holman

Poet: | Nationality: | Filmmaker:

Marc Burnett animated this Bob Holman poem for the Visible Poetry Project.

Felis by Josh Jacobs

Poet: | Nationality: | Filmmaker:

In some ways I feel it’s more difficult to make a super short videopoem than it is to make a long one, but animator Liah Honeycutt pulls it off. She notes that this is

The third installment in my visual poem collaboration with Josh Jacobs. This piece explores the themes of distance (in time and in physical space) and apathy, and attempts to capture the empty nostalgia that comes with looking back on bad memories after the pain has worn off. I decided on a very analog approach to the execution after being inspired by Josh’s original portfolio layout, opting to let the imperfections show through and stand as a metaphor for the human experience.

Programs used:
After Effects
Premiere Pro

Music:
Come Down by Sylvan Esso

Special thanks to Dean Velez.

Volières / Aviary by Denis Samson

Poet: | Nationality: , | Filmmaker: , ,

A recent videopoem from the Canadian collective CLS Poésie, with text by Denis Samson and video by Jean Coulombe and Gilbert Sévigny.

Misc. Church Sermon #6 by Malcolm Friend

Poet: | Nationality: | Filmmaker:

Malcolm Friend‘s poem was turned into a film by Matthew Ericson for the Visible Poetry Project.

1...34567...247