Glenda Jackson provides the voice of poet Stevie Smith in this animated interpretation of her extraordinary 1950’s poem ‘The Blue from Heaven’. Suzie Hanna has adapted and animated the poet’s own drawings to communicate her rueful, wistful, comic, and melancholy themes with music and sound design by Phil Archer. In Stevie Smith’s awkward world, King Arthur banishes Guinevere to the palace, and he enters the blue from heaven.
A surrealist journey through colours and shapes inspired by the poem Romance Sonámbulo by Federico García Lorca. Visual poetry in the rhythm of fantastic dreams and passionate nights.
This is a poetry film only in the sense that it takes its inspiration from one stanza of Lorca’s, but it’s a brilliant animated homage to Spanish surrealism that reminded me of everything I love about the whole Generation of ’27, which includes so many of my favorite poets and artists. It’s difficult to imagine 20th century poetry and art without this incredible flowering of talent in the years leading up to the Spanish Civil War. U.S. poets who came of age in the 1960s were heavily influenced by Spanish poetry in translation; I’d say it was equal in impact to translations of classical Chinese and Japanese poetry. For me, getting a bilingual anthology of 20th-century Spanish poetry as a Christmas present when I was 11 was a life-changing experience. I doubt I would’ve become a poet otherwise.
Anyway, here’s a serviceable English translation of “Romance Sonámbulo”, followed by the original.
Janet Lees‘ first poetry film with a text by another writer sees her trying out a completely new filmmaking approach as well. Manx author and performance poet Jackie Morrey-Grace recites her poem ‘Secrets of the perpetually sick’ in a hospital, but does anyone hear her? As Janet wrote on the Poetry Film Live Facebook page,
We were filming in a hospital training room last year and I was drawn to the security camera footage which was showing on a screen in an adjacent room. I filmed this and slowed it down and really like the dark quality of it, simmering with the rage, despair and alienation Jackie has experienced due to chronic and severely crippling autoimmune health challenges. Redacting her much longer poem felt quite brutal, but in a sense that was also fitting, because in the system Jackie was often unheard and outright dismissed.
This prophetic poem by the late, great Gil Scott-Heron has been on my mind a lot lately. I went to see if anyone had ever made a decent video for it, and found this on YouTube (though I subsequently swapped in the production company’s own upload from Vimeo). It was produced in 2001 by Peter Collingridge and directed by Julian House as a video trailer for Scott-Heron’s collected lyrics and poems, Now and Then (Canongate Books). A link in the YouTube description took me to Collingridge’s Apt Studio, a British “digital consultancy to publishers,” where I found a page for the film, as well as the original Flash version, still live: