Poem and reading by Heather McHugh
Animation by Braulio Garcia for the Poetry Foundation’s Poetry Everywhere series
Poem by Gaia Holmes
Film by Sharon Keighley, with narration by Lela Keighley
Thanks to Michelle at Peony Moon for bringing the work of this fine English poet to my attention.
Poem by Anne Carson, from Possessive Used as Drink (Me), a lecture on pronouns in the form of 15 sonnets
Video by Sadie Wilcox
See “Recipe” for more information on the production.
Poem by Jacques Prévert
Video by vandicla
Here for reference purposes are the text and an English translation as copied from an anonymous webpage, which notes that the title of the original is in English:
Paris at Night
|Trois allumettes une à une allumées dans la nuit
La première pour voir ton visage tout entier
La seconde pour voir tes yeux
La dernière pour voir ta bouche
Et l’obscurité tout entiére pour me rappeler tout cela
En te serrant dans mes bras.
|Three matches one by one struck in the night
The first to see the whole of your face
The second to see your eyes
The last to see your mouth
And the complete and utter darkness to remember them all
While holding you in my arms.
Though in other video poems I might object to a less than fully audible reading, here, I like the way the poem is submerged — a low mutter appropriate to the darkness from which flame, face, and song struggle to emerge.
Poem by Jillian Weise, from An Amputee’s Guide to Sex
Animation by John Roberts
From the publisher’s description:
The Amputee’s Guide to Sex is an authentic exploration of disability and sexuality. Tired of seeing “cripples” appear as asexual characters in all forms of media, Weise took on a subject close to home: her own disability. This does not mean that these poems “happened” to Weise in real life. While based on the experience of an above-the-knee amputee, the poems have a life of their own.
Poem by Vishwajyoti Ghosh, narrated by Ramesh Venkatraman
Animation by Nilratan Mazumdar
According to the credits at the end this is one of 60 one-minute films commissioned by motiroti, “a London based international arts organisation.” A link on its 60×60 secs page leads to another site that describes the project in somewhat more detail:
60×60 Secs is the first project of the 360° programme, and comprises of 60 one-minute films from 60 artists, 20 each from Britain, India and Pakistan.
Commissioned via open call both established and emerging artists, working in a variety of mediums and spanning a wide age range, present their unique views on ‘home’. Looking beyond media, political and religious definitions, 60×60 Secs unravels complex identities and stories, and redefines cultures that are evolving in an age of globalisation.
The site includes pages for all sixty films, including this one, containing low-, medium- and high-quality Quicktime versions, a brief description, and more detailed credits. Evidently the poet was also responsible for the drawings used in the animation, and directed it as well.