Poem by Jacques Prévert
Video by vandicla
Here for reference purposes are the text and an English translation as copied from an anonymous webpage, which notes that the title of the original is in English:
Paris at Night
|Trois allumettes une à une allumées dans la nuit
La première pour voir ton visage tout entier
La seconde pour voir tes yeux
La dernière pour voir ta bouche
Et l’obscurité tout entiére pour me rappeler tout cela
En te serrant dans mes bras.
|Three matches one by one struck in the night
The first to see the whole of your face
The second to see your eyes
The last to see your mouth
And the complete and utter darkness to remember them all
While holding you in my arms.
Though in other video poems I might object to a less than fully audible reading, here, I like the way the poem is submerged — a low mutter appropriate to the darkness from which flame, face, and song struggle to emerge.
Poem by Jillian Weise, from An Amputee’s Guide to Sex
Animation by John Roberts
From the publisher’s description:
The Amputee’s Guide to Sex is an authentic exploration of disability and sexuality. Tired of seeing “cripples” appear as asexual characters in all forms of media, Weise took on a subject close to home: her own disability. This does not mean that these poems “happened” to Weise in real life. While based on the experience of an above-the-knee amputee, the poems have a life of their own.
Poem by Vishwajyoti Ghosh, narrated by Ramesh Venkatraman
Animation by Nilratan Mazumdar
According to the credits at the end this is one of 60 one-minute films commissioned by motiroti, “a London based international arts organisation.” A link on its 60×60 secs page leads to another site that describes the project in somewhat more detail:
60×60 Secs is the first project of the 360° programme, and comprises of 60 one-minute films from 60 artists, 20 each from Britain, India and Pakistan.
Commissioned via open call both established and emerging artists, working in a variety of mediums and spanning a wide age range, present their unique views on ‘home’. Looking beyond media, political and religious definitions, 60×60 Secs unravels complex identities and stories, and redefines cultures that are evolving in an age of globalisation.
The site includes pages for all sixty films, including this one, containing low-, medium- and high-quality Quicktime versions, a brief description, and more detailed credits. Evidently the poet was also responsible for the drawings used in the animation, and directed it as well.
Poem by Deborah Buchan (text here)
Film by Dawn Furness
Film by Philip Shotton
Both these videos were “commissioned by New Writing North, the literature development agency for the north east of England.”
Poem and animation by Virginia Shank, with music by One Ring Studio
A rare example of a poet making a video interpretation of her own work — and in claymation yet! She gets huge respect from me. I found more information about the project in a blog post.
It’s nice to see that months of work have turned out so well and it’s hard to believe that Virginia found time to sculpt each frame by hand (for a total of literally thousands of individual frames) when she had three classes to take, a literary magazine (Fugue) to read for, and two classes to teach. But she’s like that – when she’s not making the best sushi for a hundred miles or singing Nancy Sinatra at our weekly MFA karaoke sessions, she’s doing THIS.