nam june paik’s confused rain (1967) was the chaotic distribution of the letters C-O-N-F-U-S-E on a sheet of paper.
clint enns’ confused rain (2008) is a posthumous collaboration with nam june paik that expands paik’s work into a computer program that produces an animation of the letters C-O-N-F-U-S-E falling like rain drops.
this was written in visual basic.
Footage of a performance by Brazilian sound-poet Márcio-André. Brazil has had a thriving avant-garde poetry culture for decades, so I thought it only fitting to pay tribute to it here on Moving Poems at the end of a week featuring Brazilian videopoetry.
Many of Márcio-André’s projects don’t require a grasp of Portuguese to appreciate, being more sound than poetry. One that I found especially intriguing is his online Dot-Matrix Symphony. The instructions say (I think) to push play and then pause for all nine videos, then when they’ve all downloaded, start them going as close to simultaneously as possible.
Curiously, a lack of Portuguese doesn’t seem much of a barrier to appreciating these fun word-art pieces. Brazilians invented concrete poetry, so it only seems fair to represent them here. The YouTube description says (I think): Audiovisual adaptations of the concrete poems “Cinco” by José Lino Grunewald (1964), “Velocidade” by Ronald Azeredo (1957), “Cidade” by Augusto de Campos (1963), “Pêndulo” by E.M. de Melo e Castro (1961/62), and “O Organismo” by Décio Pignatari (1960). Director: Christian Caselli.