This brilliant author-made videopoem seemed like a good one with which to start a new season of regular posts at Moving Poems. Joanna Fuhrman is the author of five books of poetry, including Pageant (2009), winner of the Kinereth Gensler Prize from Alice James Books; and The Year of Yellow Butterflies (Hanging Loose Press, 2015). Her page at the Poetry Foundation website notes that
Her poetry is humorous and surreal, mining references from pop and high culture. Writing about Fuhrman’s work for BOMBLOG, Susie DeFord observed that Fuhrman “takes the best of the surrealist and narrative poetry, weaving social and personal stories with extreme wit, imagination.”
These qualities are certainly on display here and in the other nine videopoems which she’s recently uploaded to Vimeo. “Witty” was the first word that came to my mind when I started browsing through her work. And it’s always great to see a widely published poet with serious video-making chops.
Janet Lees‘ latest poetry film: “Written & filmed by Janet Lees. Music – ‘Scriptures’ by Post War Stories. Edited by Glenn Whorrall.”
The music plays an unusually prominent role, but I found the interplay between the lyrics and Janet’s text on the screen intriguing. And because the music was so much a feature, the slow-motion single shot felt almost like an ironic commentary on the fast cuts and frenetic camerawork that characterize so many music videos.
Lithuanian-American-Canadian poet Lina Ramona Vitkauskas has been directing a series of short but powerful cinepoems for her collection White Stockings with the help of visual artist Tess Cortés (editing, arrangement and score). Watch the others on Vimeo. They deserve many more views than they have received so far.
Much of life comes down to the simple things, small in nature but complicated in terms of the inner workings of the mind. Most of my work centers around the effortless red-letter moments of life, where the heart seems to linger. I create poetic snapshots of the past facing the present in a subtle attempt to draw attention to where we are culturally at this moment in our history. My poetry and films harken back to my Texas roots and friends and family in rural Colorado, bringing a touch of surrealism to my small town recollections, highlighting the occasions that seem to bind us emotionally and culturally.
Perkins is also the organizer and curator of the Juteback Poetry Film Festival in Fort Collins, Colorado, which by the way is still open for submissions through August 19.
A new videopoem from Australian poet Brendan Bonsack, who calls it “a short and snappy musing on love, death and white flowers.”
First comes the language. That is the foundation. Then the video poem builds upon that language, goes to war with that language, prompts that language to shed its skin and become something new, albeit still grounded in voice, breath, and the body.
Martha McCollough’s latest videopoem is a bit of a departure from her previous work, reinforcing her reputation as one of the most versatile practitioners of the medium. Whether or not she intended it as a statement on the freshly controversial Laura Ingalls Wilder—the last line would seem to suggest that she did—it’s a great meditation on language and the construction (or destruction) of place.
Happy Independence Day to all my American readers.