The latest poetry animation by artist (and Moving Poems Magazine columnist) Cheryl Gross illustrates a poem by her long-time collaborator Nicelle Davis. Additional credits include “Voice: Robert Fisher, Music: David Michael Curry, Performed by: Willard Grant Conspiracy.” Cheryl’s succinct description is also worth quoting:
This video poem tells of the emotional impact that terrorist drills, conducted by police, have on a non affluent community.
A powerful, affecting poem. I like how the viewer/listener gradually comes to understand that what originally seemed like surrealist hyperbole is in fact all too real — though Cheryl’s drawings keep our attention focused on just how wrong and bizarre it is.
Both poem and concept are credited to the Slovakian poet Eleni Cay; animation and score are the work of beyon wren moor of the ecofeminist film and theater production company LoveHoldLetGo (which has apparently let go of its former domain, loveholdletgo.com). The YouTube description also notes that “Intertwined was shortlisted for the Elbow Room Prize 2015 and for the Ó Bhéal International Poetry-Film Competition 2015.”
The latest addition to UK poet (and Liberated Words festival co-creator) Lucy English’s Book of Hours project comes from the U.S. artist (and Moving Poems Magazine columnist) Cheryl Gross. Her usual “Dr. Seuss on crack” approach to animation makes a great fit for the poem’s wry take on motherhood, I thought.
Incidentally, I believe that the call for filmmakers to contribute to the project is still open, if anyone’s interested.
Ted Hughes reads “The Door,” “Crow’s Vanity,” and “Crow Hears Fate Knock on the Door”—three poems from his 1970 tour de force Crow—in this stunning animation produced and directed by Yoav Segal. The other animators were Alasdair Beckett King, Nandita Jain, and Aindri Chakraborty; Leafcutter John was the composer and Holly Waddington the art director. See Vimeo for the full credits, which include this note: “The material started life as part of the Handspring UK theatrical production ‘CROW’.” Segal has uploaded a theatre clip from that production, which is interesting for comparison’s sake:
Just weeks before she died in December 2011, Carol Novack sent me “Refuge,” a prose poem she hoped I could create a movie with/for/to.
We had already done two movies together, “Civil War” (vimeo.com/26869484) and “Destination” (vimeo.com/26782140), and I also did the cover and over a dozen illustrations for her book “Giraffes in Hiding” (tinyurl.com/d93v9lv).
“Refuge” was a challenge, the first two movies were done with the voice of Carol reciting her own work, she of course was no longer alive to record her text. That’s when Donald Meyer, the composer who created the sound track of “Destination,” agreed to help. He enlisted Victoria Johnson who provided the voice, and he began working with the recording, mixing, arranging, to finally give me the audio that became the base for the images.
I am not sure this is the “final” (video) version (hence “sketch 1”), but given December 29 is the anniversary of Carol’s death, I wanted to publish it as a celebration of her memory.
I hope she found her town, her refuge.