Posts in Category: Animation

I Ate Up the Whole Thing by Ilana Simons

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Psychologist, writer, and animator Ilana Simons describes her conflicted feelings about the seemingly endless creativity of a fellow artist, Noah Saterstrom, in this wonderful, quirky blend of videopoetry and documentary set to an up-tempo track from the Dirty Dozen Brass Band.

This upload was the April 17 release from the Visible Poetry Project (which, incidentally, just had a screening in Beijing last Thursday — the first U.S. poetry film festival to travel abroad in a number of years). Simons’ own upload of the video is accompanied by a note that “this is a short intro to a longer documentary I’m making about Noah Saterstrom, a painter”. She has previously made documentaries about Haruki Murakami and the literary critic William Empson.

Time Rests, Exhausted, in Memory by Ayesha Raees

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A new, author-made videopoem from Pakistani filmmaker, photographer and literature student Ayesha Raees, who told me last year that she was writing her thesis on videopoetry. The Vimeo description includes a bit about the creative process by way of an acknowledgement:

Special thanks to Sue Rees and Animation projects, my beautiful friends who I photographed unknowingly yet knowingly in the Vermont autumn of 2014 (which was a ghastly time for me), a house which became a home, an existence that unconsciously saved me, and again, to Sue, who gave me a platform to create what I wished to create.

Click through to read the poem.

Hell: why there is by Martha McCollough

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I admit, I want there to be hell. I want to decide who goes there.

Martha McCollough’s latest videopoem makes a case for everyone’s least favorite afterlife destination. The video appears in Issue Seven of Datableed, one of the relatively few literary magazines that specifically mentions “visual or video poetry” as something they’re looking for.

Das Bild in dem Bild in dem Bild in dem Bild / The Picture in the Picture in the Picture in the Picture by Marlen Pelny

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One of the two stand-out films, along with Die Angst des Wolfs vor dem Wolf, from Lab P‘s 2014 series, this stop-motion animation by Catalina Giraldo Vélez is based on a poem by German author and musician Marlen Pelny, who also supplied the voiceover and music. The Vimeo description reads:

Closing the window. Shutting up yourself. Observing your memories. Drawers open for storing of the memories, we are constantly looking for, removing or archiving again. We open a book that might be the book of our lives. The image in the image in the image in the image is a metaphor for memory and the nostalgia of forgotten times.

For more information about the film, see its webpage.

Kanten deiner Augen / Edges of your eyes by Yevgeniy Breyger

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“Gaps in the fog allow a look inside: A foreign environment, observing trees and falling birds.” Melissa Harms (A.K.A. MelissaMariella) directs and animates a text by Ukrainian-German poet Yevgeniy Breyger in this film from the Lab P project’s 2014 series. (The films were kept off the web for a couple of years, which is why I’m only getting around to sharing them now.)

Words When Bored by Bob Holman

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Marc Burnett animated this Bob Holman poem for the Visible Poetry Project.

Felis by Josh Jacobs

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In some ways I feel it’s more difficult to make a super short videopoem than it is to make a long one, but animator Liah Honeycutt pulls it off. She notes that this is

The third installment in my visual poem collaboration with Josh Jacobs. This piece explores the themes of distance (in time and in physical space) and apathy, and attempts to capture the empty nostalgia that comes with looking back on bad memories after the pain has worn off. I decided on a very analog approach to the execution after being inspired by Josh’s original portfolio layout, opting to let the imperfections show through and stand as a metaphor for the human experience.

Programs used:
After Effects
Premiere Pro

Music:
Come Down by Sylvan Esso

Special thanks to Dean Velez.