Posts in Category: Animation

A Scientist’s Advice on Healing by Christy Ducker

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The winner for Best Animation at Rabbit Heart Poetry Festival 2017, where it was also a finalist for Best Overall Production. Filmmaker Kate Sweeney notes in her c.v. that the 2016 film is a “2.05 min hand-drawn animation. In collaboration with poet Christy Ducker and Centre for Chronic Diseases, York. Funded by Wellcome Trust.” It’s one of at least two films that came from that collaboration, as well as a pamphlet of photography and poetry called Messenger.

Drawing on the science of immunology, Messenger explores how we wound and how we heal. Whether the focus is a tiny molecule or a global problem, Christy Ducker’s succinct poems offer ‘hope and a warning’. Illustrated throughout by Kate Sweeney’s striking photographs, Messenger shuttles between science and art to suggest alternative ways of looking at recovery.

For more on Ducker, see her website.

Out of Reach (Rain Night) by Jorge Díaz Martínez

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A 2014 film by Pablo Diartinez and Erik Parys that’s been out of reach to web viewers until now, making the indie film festival rounds and racking up a bunch of awards — and rightfully so. It’s a beautiful film. Here’s the summary from IMDb:

‘Out of reach (rain night)’ is the first installment in ‘From the pages of Album’, a series of short films adapting the poetry of Jorge Diaz Martinez to the screen in a collage of animated graphics, texts and live action. ‘Out of reach (rain night)’ finds the series’ protagonist, a nameless poet in Brussels, seeking shelter and a place to sleep in a tram stop, while memories of lost friendship and love invade his clouded mind and the screen. The poem for this episode, a ‘found object’, paints a state of incommunicado and evasion.

Music and sound are by T.S.E.G. (Thomas Giry). For more on the poet, see his blog; the Pages of Album has its own website and Facebook page. I’ll be following the progress of this “fusion cinema poetry book” with great interest.

Tryouts by Gary Jackson

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Animation by Victor Newman of a poem from Gary Jackson‘s book Missing You, Metropolis, which “imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend,” according to the publisher’s description. Newman was assisted by animators Jonathan Djob Nkonbo and Jeff Chong, JD McMillin did the sound design, and the voiceover is by Chuck Johnson.

Tryouts was produced by Motionpoems as part of their Season 7, in partnership with Cave Canem. For the text of the poem, see the Motionpoems website.

When it Comes to Marching by Bertolt Brecht

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A brief animation of a poem from Brecht’s A German War Primer by Andrea Malpede AKA Andrea Nocive, who notes in the Vimeo description:

I’ve always found Bertolt Brecht’s words strong and full of love.
In this animation I tried to give life to his powerful concept.

Restriction Site Poetics by Jason Brennan

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A wonderful, too-short animation by Australian artist and former research scientist Nicholas Kallincos. He says on Vimeo that it’s an “Experimental mixed media animation made in collaboration with UK spoke word poet, Jason Brennan in 2005. Soundtrack by Cornel Wilczek”.

It could be my Google-fu just isn’t very good today, but I’m not able to find anything about Brennan online aside from this.

When a Wiggly-Monster Was My World by David Olimpio

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An animated poem with text and voiceover by David Olimpio and animation and direction by Efrat Dahan. It was made as part Moving Words, a project from the New Jersey-based organization ARTS By The People pairing American writers with animators from the Shenkar School of Engineering and Design in Tel Aviv. The international premiere of the 2017 animations in Tel Aviv has already happened (August 11), but the US premiere is still up-coming on Sept. 9 at Drew University. (Reserve tickets.) Olimpio told me in an email:

What ABTP is trying to do with the “Moving Words” project is to not only make these stand-alone animation pieces, but also to integrate them with live performances. Here’s the video of me performing this piece live at the Animix Animation Festival in Tel Aviv, where this animation was one of many featured the day before.

Integrating multimedia with live readings is something poets don’t do nearly enough, in my view, and I’ve also long felt that there ought to be more efforts to get university film and animation students to collaborate with poets, so I was excited to learn about Moving Words. (I also really like their name, for some reason.)

Colour Poems by Margaret Tait

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A classic poetry film by the Scottish filmmaker and poet Margaret Tait (1918-1999). It’s one of “Five Filmpoems: Curated by Susannah Ramsay” in the first issue of an online journal dedicated to “exploring and showcasing the milieux, methods and madnesses of contemporary poetry in all its emergent myriad forms,” All These New Relations. Ramsay has this to say about Colour Poems:

Margaret Tait was known as a filmpoet and experimental filmmaker. Her approach to filmmaking was remarkably similar to the ethos of the avant-garde, generally self-funded, non-conformist, uncompromising, non-commercial, with distribution and exhibition being select. I think Colour Poems (1974) depicts some of the more thought provoking images within her oeuvre. There is a wonderful poetical moment, which begins with the poppy fields where Tait questions the true essence of the image through juxtaposing shots of the Scottish oil industry and related capitalist iconography and a sequence of images relating to a return to the earth. Nature is brought into being through spoken word. The narrator willing the viewer to look beyond what can be seen, to ‘look into all that is illuminated by the light’ […] ‘the own person’s own self perceiving the light and making the music’ suggesting that we are the beholders of (our) true vision.