One of the two stand-out films, along with Die Angst des Wolfs vor dem Wolf, from Lab P‘s 2014 series, this stop-motion animation by Catalina Giraldo Vélez is based on a poem by German author and musician Marlen Pelny, who also supplied the voiceover and music. The Vimeo description reads:
Closing the window. Shutting up yourself. Observing your memories. Drawers open for storing of the memories, we are constantly looking for, removing or archiving again. We open a book that might be the book of our lives. The image in the image in the image in the image is a metaphor for memory and the nostalgia of forgotten times.
For more information about the film, see its webpage.
“Gaps in the fog allow a look inside: A foreign environment, observing trees and falling birds.” Melissa Harms (A.K.A. MelissaMariella) directs and animates a text by Ukrainian-German poet Yevgeniy Breyger in this film from the Lab P project’s 2014 series. (The films were kept off the web for a couple of years, which is why I’m only getting around to sharing them now.)
In some ways I feel it’s more difficult to make a super short videopoem than it is to make a long one, but animator Liah Honeycutt pulls it off. She notes that this is
The third installment in my visual poem collaboration with Josh Jacobs. This piece explores the themes of distance (in time and in physical space) and apathy, and attempts to capture the empty nostalgia that comes with looking back on bad memories after the pain has worn off. I decided on a very analog approach to the execution after being inspired by Josh’s original portfolio layout, opting to let the imperfections show through and stand as a metaphor for the human experience.
Come Down by Sylvan Esso
Special thanks to Dean Velez.
Buy my hate. You’ll come right back for more.
Hate for sale. Enough to start a war.
Hate the rich, the brown, the black, the poor.
Hate is clean. And hate will make you sure.
The Visible Poetry Project‘s final video for National Poetry Month was a real corker: a topical, satirical poem by the great Neil Gaiman recited by Peter Kenny in the soundtrack for a beautifully done stop-motion animation by Anna Eijsbouts.