It is concerned with not speaking out, keeping your feet still or actually biting the bullet and achieving inner freedom. And about how individual mental states influence the world.
I can’t say enough good things about this animated film by the ever-inventive Kate Sweeney. It works equally well as a poetry film or as a lyrical promo for vaccination; the transition from prose narration (by Dr. Mohamed Osman) to poetry half-way through is natural and powerful, and the poem by Christy Ducker is extraordinarily good. Here’s the description:
An animated film highlighting the research and fieldwork into finding a cure for Leishmaniasis, a chronic disease affecting millions of people in areas such as Sudan and Syria. The film was made as part of a collaboration between poet Christy Ducker and artist Kate Sweeney and scientists working at York University at The Centre for Chronic Disease.
Working in collaboration allows access to an other’s research, in this case, the work of scientists who are actively working to find a cure, and to study the causes and exacerbations of the Leishmaniasis disease. Dr Mohamed Osman sent me photographs he had taken when in Sudan of the people he was working with, trialing a vaccine for the disease. I was able to interview him, talk to him about my interests in stories and how we tell stories to frame experiences and use his response and his photographs in the initial part of the film. The second part of the film is an animated response to Christy’s poem that explores metaphorical links between medical vaccinations and the grieving process. Where the loose style of the first part of the film reflects the nature of conversation, the more structured animation in the second part reflects poetry’s structured, considered language.