A wildly entertaining performance video, augmented by visual text drawn by Sam Ratcliffe. This is from British poet and broadcaster Luke Wright, found via Viral Verse. Here’s the description at YouTube:
BARRY vs THE BLOB – a B Movie set in Brentwood, Essex.
Poet Luke Wright felt bad that Brentwood had the singular reputation of being the home of TOWIE. So he’s set another cinematic event in Brentwood — Essex’s first B movie. On a budget, like all the best B movies, the only special effect he had at his disposal was ALLITERATION. This is literally a B movie.
The recent death of Jayne Cortez prompted a post on Metafilter calling attention to her pioneering and musically compelling work with jazz musicians. Though most of the YouTube material is audio-only, the above videos were expertly filmed and recorded. They’re from a concert/reading in 2010 with Denardo Coleman accompanying his mother on drums. Andrew Lynn directed, with camera work by Elanor Goldsmith, Ira McKinley and Joshua Thorson. The description on YouTube reads:
“A Dialogue Between Voice and Drums,” live at The Sanctuary for Independent Media in Troy, NY on October 23, 2010. A firespitting evening with drummer Denardo Coleman, featuring a voice celebrated for her political, surrealistic, dynamic innovations in lyricism, and visceral sound. Cortez’s literary work and impassioned activism, inspired by the ideals of human dignity and social justice, have been called blues poetics, part of the foundation of hip hop and performance poetry. Denardo Coleman is a musician, composer, producer and drummer with the Ornette Coleman Quartet.
According to Open Culture,
“Thanksgiving Day, Nov. 28, 1986″ first appeared in print in Tornado Alley, a chapbook published by William S. Burroughs in 1989. Two years later, Gus Van Sant (Good Will Hunting, My Own Private Idaho, Milk) shot a montage that brought the poem to film, making it at least the second time the director adapted the beat writer to film.
A poem about Alzheimer’s by Toronto-based poet Kate Marshall Flaherty. Filmmaker Mark Korven notes that this was “Shot in one take at Guildwood park in Scarborough, Ontario during the last days of winter.” Korven also plays the cello in the soundtrack.