This videopoem by Angelo Saccu, performed by Sergio Garau to music by Antonio Marra, betrays influences from all over: it’s equal parts concert video, sound poem and concrete/kinetic-text poem. I ran the YouTube description through Google Translate:
The violent encounter between political identities, economic, cultural, language here is staged through an ironic game of opposites. The ‘I’, translated into machine language 1 0 (zero), cut into pieces for binary digital misunderstood as grotesque chaos of contradictory slogans of contemporary power, explodes in a syncopated rhythm outside of himself. For tris doubly impossible breaks down the end of his world.
The latest release from Motionpoems, and the first of theirs, I think, to mix in some live footage of the poet alongside the animation (which is by Juan Delcan, who was responsible for the most popular of the Billy Collins animations, “The Dead.”). The text appears in Mark Strand’s latest book, Almost Invisible, which is a collection of prose pieces; the poem part of this video is the only lyric poem in the book.
By the way, if you join the Motionpoems free monthly email list, you get additional content which is not included on the website for some reason. This month’s installment expanded on the making of the video, and included some thoughts by Delcan and Strand:
For this motionpoem, filmmaker Juan Delcan shot live video of Mark Strand in his New York City apartment. He combined that video with drawings inspired by those of the Spanish poet Federico García Lorca. “I shot [Mark Strand] in 30 minutes and animated the piece in one afternoon,” Delcan told us. “Sometimes not having time to over-think it is the best.”
Delcan also spent time thinking about the purpose of the relatively new genre of poetry films. “I know there are a lot of purists that think that animating poetry is redundant and stops the reader from picturing its words in their own minds, and that the poem should be left alone. And in a lot of cases they may very well be right. But in the particular case of the poems I’ve worked on I feel they retrofeed each other, bringing it to a different genre.”
In response to the motionpoem, poet Mark Strand told us, “I liked the film’s simplicity, which is very much in keeping with the poem, or so it seems to me.”
A live-reading-with-video – videopoem hybrid, part of an interesting (and sadly under-watched) series on YouTube by Homestead MediaJive TV called “Poets of the Unreeled,” featuring poets from the Miami area. Leah Silvieus is an MFA candidate at the University of Miami.
Monika Lind directs a shared reading/dramatization of the sonnet by five young actresses: Sascha Alexander, Katherine DuBois, Lee Hanson, Adrienne Marquand, and Daniele Watts.
Don’t be put off by the title: Craig Allen Conoley, the director, told me, “We chose to use the cliche title in an ironic manner… we wanted to subvert the cliche!” If you watch this through till the end, that should become abundantly clear.
This was screened at Visible Verse 2011 and the 2011 Ottawa International Film Festival. For the full credits, see the page at Vimeo, which also includes this description:
The short film/music video provides a visceral account of a poet’s mind/body relationship, mediated through his prose and the language of story. Shot in the subways and busy streets of Montreal, the video was designed to subvert a voyeuristic and often conforming societal gaze by placing Brandon’s point of view in direct contest with everyday motion and its marriage to the status-quo. The video features Claude Munson on guitar.
For more about the Ottawa-based spoken word artist, writer and singer Brandon Wint, see the bio on his website.