Posts in Category: Performance Poetry

The Opposites Game by Brendan Constantine

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This film of Brendan Constantine‘s brilliant anti-gun poem (click through for the text) kicked off a promising new YouTube channel called Blank Verse Films, the work of L.A.-based filmmaker Mike Gioia. He described his modus operandi in an email: “I travel around filming poets, and then edit the recitations into little films.” He added,

Making the videos is much more challenging and exciting than I originally anticipated. I’m trying lots of different approaches but still don’t feel like I’ve “cracked the code” of how to film poetry. Later this month I’m going to try some experiments with dramatic reenactments of poems that will use actors who speak the lines of poetry.

Do consider subscribing to his channel and (of course) watching the other films. There’s also a Facebook page.

The Entropy of Forgiveness by Angelica Poversky

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Merissa Victor directed this videopoem about self-acceptance, with Vancouver-based spoken-word poet Angelica Poversky contributing the original concept and lyrics. I’m blown away by Poversky’s voiceover here—refreshingly free of affectation, it’s the perfect compromise between a natural speaking voice and rhythmic musicality, to my ear. Unsurprisingly, a note in the YouTube description says it’s “Coming soon to Spotify as part of a debut album by Angelica Poversky.” The vocal accompaniment and musical direction are by rhé (Rhea Casido); moses c.c. is the producer.

Thanks to Moving Poems reader Emily Sergey for the tip.

Two poems by Liu Xia

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To celebrate yesterday’s release of Liu Xia from detention, here’s a video of her reading two poems while in captivity, “Untitled” (translated by Ming Di and Jennifer Stern) and “Drinking” (translated by Yu Zhang). A 2015 post on the PEN America website has the text of both translations, as well as the back-story:

October 8, 2015, will mark five years that Liu Xia, the wife of imprisoned Chinese writer and Nobel Peace Prize Laureate Liu Xiaobo, has been under extralegal house arrest in her Beijing apartment. It was on this date in 2010 that Norwegian Nobel Committee Chairman Thorbjørn Jagland announced from Oslo that her husband was to receive the 2010 Nobel Peace Prize “for his long and nonviolent struggle for human rights in China.” Within hours, police descended on her apartment complex, cut her phone lines, and barred friends and family from entry.

In this rare video, shot in December 2013 after friends ripped past the guards to her apartment, Liu Xia is seen reading two of her own poems in her apartment. Liu casually sits at her desk just outside the soft glow of a reading lamp, smoking a cigarette and reading from her notebook. After she finishes reading the second poem, “Drinking,” she gives a hasty thumbs up to the unidentified camera operator heard whistling in approval.

On December 1, 2015, PEN will host a reading of Liu Xia’s poems from a new translation of her poetry, Empty Chairs—forthcoming on November 3 from Graywolf Press—at Book Court in New York City. Stay tuned for details to come.

Dear White America by Danez Smith

This may be a basic video (from the livestream by Katalogon of Poetry International Festival Rotterdam, 2 June 2018), but it is nevertheless essential watching: a master poet at the top of his game calling out the rot at the heart of the American dream. The text is from Danez Smith’s award-winning collection Don’t Call Us Dead and has been reprinted online at Literary Hub.

Elephant by Elisabet Velasquez

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Brooklyn-based Puerto Rican poet Elisabet Velasquez took the top prize in Button Poetry’s 2017 Video Contest with Elephant, which she calls

a short choreo-film entirely produced by women of color against street harassment. The video is the collective effort of a group of interdisciplinary artists from New York City who came together to highlight the importance of looking at street harassment from a lens of reclamation of power.

We believe that all people who identify as women as well as gender nonconforming individuals who are impacted by street harassment have a right to their bodies and in this video we take our bodies back.

If you or any one you know has been impacted by street harassment in any way we invite you to share.

Peruvian filmmaker Connie Chavez directed the film and Keomi Tarver is the dancer and choreographer, with body art by Alicia C. Cobb.

Elegance/Refusal by Sojourner Ahebee

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A wonderful primer on the personal and political meanings of hair in the Black community by Palo Alto, California-based poet Sojourner Ahebee, directed by Christian Osagiede. I saw an earlier version of this film appear on Vimeo five months ago, and didn’t share it then because the credits indicated that it was a submission to the 2017 Button Video Contest, and I had a hunch it might place. Sure enough, it’s a runner-up! Here’s the description that Ahebee posted then:

This poem, “Elegance/Refusal,” is interested in mapping a brief history of hair in the Black community. The poem’s title is drawn from a Coco Chanel quote in which she says: “Elegance is refusal.” For me, Chanel’s words lit a fire inside of me and pushed me to document/give language to the ways Black women/femmes perform resistance (“refusal”) through fashion/hair; how they use beauty aesthetics to ask the world to see them, and how they create and constantly re-create new visions of themselves for themselves. This is also a poem about intimacy between Black women. Hope you enjoy.

To read more poems from my debut poetry collection, check out my chapbook, “Reporting from the Belly of the Night” at sojournerahebee.com

Lantern Smoke by Dagogo Hart

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This film by Steven Beatsmith for a poem by the Dublin-based poet Dagogo Hart was a runner-up in Button Poetry‘s 2017 Video Contest.

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