A couple of the YouTube uploads of this ad attribute it to Andy Fogwill of the advertising firm Santo Buenos Aires, so I’ll assume that’s correct. I first saw it in the dubbed English version below, via Don Share’s blog.
For those of us immersed in the world of poetry, it may come as a bit of a shock to realize that for many other people, poetry is synonymous with bad poetry. Had it not been for that sleight of hand there at the end, I would’ve thoroughly enjoyed this. For all that bad metaphors and aching sincerity set my teeth on edge, it is still preferable to the ad man’s cynicism in the service of idolatry.
I’m going to break my informal rule against featuring slideshows today, because I think the following are exceptionally well done. The poet is Kwame Dawes, and the photographer is Joshua Cogan. The slideshows were produced by the Pulitzer Center, and are only one facet of a multimedia website, Live Hope Love, which includes interviews, audio of many other poems, and more. Dawes took three trips to his native Jamaica to collect materials for the project; it resembled a regular work of investigative journalism in every way, except for the fact that one of the final products was a collection of poems. His mission, according to the Pulitzer Center: “to explore the experience of people living with HIV/AIDS and to examine the ways in which the disease has shaped their lives.”
Something for April Fool’s Day — and the first day of (Inter-)National Poetry Month — from a king of fools. This episode of the Colbert Report aired on April 19, 2007. Colbert seems to genuinely like poetry, and has interviewed a number of poets on his show. I like the way this skit plays off the misconception popular with people who “just don’t understand poetry”: that a poem (or metaphor) is basically a code with one correct solution. I’m also impressed by Robert Pinksy’s stage presence and acting skills.
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Moving Poems.