This well-filmed dance interpretation of a poem by Ella Jane Chappell is one of ten shortlisted films for the Southbank Centre’s inaugural Shot Through the Heart Poetry Film competition. Katie Garrett of Garrett and Garrett Videography directs, with choreography by Anna-Lise Marie Hearn. The dance company, AniCo., has a webpage about the film. The text is worth quoting at length for the insight it gives into dance-focused poetry videos, an important subset of poetry video generally:
Rolling Frames is an intimate and personal look into the scenarios of three very different relationships that are affected and manipulated by dependency.
At the heart of Rolling Frames are a series of shifting voices and characters that inhabit three very different relationships. These relationships are linked by the role that dependency plays in each. To some extent, every relationship involves a yielding of independence. The poem dissects this manner of yielding: the manifestation of greed in desire, the vulnerability in love, the loneliness in lust.
The physicality and inner rhythms of the words are translated once over by the expressive movements of dance, and once again through the gaze of the camera’s eyes.
If the films released so far on their website are any indication, Motionpoems‘ 2014 season is their most stylistically diverse collection of poetry films to date. This film, released just before Independence Day in the U.S., builds on the poem’s challenge to any easy assumptions about American identity. (It’s also slightly NSFW, with glimpses of female nudity.) Here’s the description from the website:
Filmed near Lake Geneva Switzerland (and at the Large Hadron Collider at Cern), British filmmaker Richard Johnson and dancer Jasmine Morand present this francoperspective on California poet David Hernandez’s all-inclusive poem, “All American.”
Click through and scroll down for the text.
All the flowers in my country have been picked
And gunpowder planted instead.
Fragrance breathes its last
In a torture camp.
The very lane where hand in hand with you
I have danced to the music of peace,
There a death-dealer is spread-eagled.
Ammar Aziz directed this poetry film featuring Pakistani poet, writer, and women’s rights activist Attiya Dawood, accompanied by dancer Suhaee Abro. Be sure to press the icon marked “CC” at the bottom of the video to view subtitles in English, Sindhi or Urdu, or click through to the Umang website to read the text in all three languages.
This is Confessions of a Lacking Pursuit,
Directed, choreographed & edited by Maggie Bailey. Filmed by Paul Nguyen. Performed by Heather Bybee. Sylvia Plath’s recitation of her poem “The Applicant.” Music by Shane Carruth.
Maggie Bailey is majoring in Theatre/Theatre Arts Management and Dance, concentrating in Performance and Choreography, at College of Charleston, according to LinkedIn. Confessions of a Lacking Pursuit was her senior project.
Last week’s Sunday bonus post went over well, so here’s another, also a bit spiritual, for all you church-of-the-brunch types. In this one, the late Allen Ginsberg does Tai Chi in his kitchen over an audio track of Allen Ginsberg reading a poem about doing Tai Chi in his kitchen. Found via the lyrikline blog, which notes:
This clip is one of the earliest “Poetry Spots” Bob Holman made between 1986 and 1994 for the New York public television station, WYZC. Holman produced around 50 “Poetry Spots” in total.
For more of Holman’s poetry videos, see his YouTube channel.
Film made for a competition “Nakrec wiersz” (shoot a poem)
Idea, directing, montage, music: Jagoda Bobrowska
Dance: Elena Sgarbi and Svelin Velchev
I suppose this is technically a music video rather than a videopoem, but it strikes me as much closer to the latter genre to the former — save for the fact that the poem takes the form of a very beautiful art song.
Composed by Lior Rosner
Soprano: Janai Brugger
Directed and After Effects by Tal Rosner
DoP: Adam Woodhall
Dancers: Cameron McMillan, Fiona Merz
About the project:
One of America’s greatest poets, Langston Hughes was a social activist and early innovator of jazz poetry. Hughes distilled the experience of his generation of African Americans into poems that sang in his clear and unapologetic voice. In “In Time of Silver Rain: Seven Poems by Langston Hughes,” composer Lior Rosner uses his music to liberate Hughes’ words from the boundaries of historical context. Rosner’s modern settings challenge us to consider the contemporary relevance of Hughes’ frank and often searing meditations on the universal themes of oppression, loss, frustration and love. While the emotions captured in these songs are indeed timeless, beneath the undeniable modernity of Rosner’s music, there are subtle harmonic nods to the jazz that provided the sonic backdrop for the Harlem Renaissance.