Posts By Marie Craven

Watershed by Tania Haberland

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Watershed is a fusion of abstract music video and poetic text. Its maker, Carine Iriarte, calls this electropoetry. As with ambient electronic music, the piece is minimal, with mantric repetition of a fragment of a poem by Tania Haberland, whose spoken voice within the music is lush and lulling to the ear. The images meet the sound in fluid digital layers. The hypnotic experience of the video is like a trance meditation.

The Torrid Zone is another video from these artists featured before at Moving Poems, in that instance from a complete poem by Haberland.

Music and film are credited to Poetics of Reverie, a collaborative project of Iriarte.

Deep Into Another Night by Finn Harvor

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There are different sub-genres beneath the umbrella terms videopoetry and poetry film. Finn Harvor’s Deep Into Another Night is at the far end of a spectrum – a poetic film without words. It has a soft observational quality, delicately revealing poignant everyday moments in a quiet evening in South Korea.

Sensurious by Ian Gibbins

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The videopoetry of Australian artist and thinker Ian Gibbins is strikingly unique. This version of his 2015 piece Sensurious was just this week uploaded in higher definition and with English and Spanish subtitles. He has previously written about his work with video, poetry and translation for Moving Poems Magazine.

The text in the video first came into being as a response to the art of Judy Morris, written specifically for an exhibition of her Sensurious series. From Ian’s artist statement about this at Rochford Street Review:

Judy and I have collaborated on many projects over the years. Sensurious – drawings to stimulate the sense was her third solo exhibition. It was held at Pike Wines gallery in Clare Valley, South Australia (2014) and at Magpie Springs winery gallery neat McLaren Vale, South Australia, in 2015. I wrote short pieces of text for each of the drawings and they became the basis for poem. The video features the formal Latin names of the plants, the meanings of which inform the text of the poem.

A number of other videos by Ian Gibbins have been featured at Moving Poems here.

Weighing In by Rhina Espaillat

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An uplifting animation about age, gravity and being human, Weighing In is from a poem by Dominican-American writer Rhina Espaillat. The film was directed by Casey McIntyre for MPC Creative in Los Angeles in partnership with Motionpoems. It was especially designed as a film for children. The poem can be read on the page here.

Ozymandias by Percy Bysshe Shelley

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From the brief and powerful poem by Percy Bysshe Shelley (1792-1822), this animated version of his Ozymandias is directed by Alvaro Lamarche-Toloza in France.

The soundtrack features the richly dramatic voice of Bryan Cranston reciting the poem in a 2013 trailer for Breaking Bad. The compelling voice is accompanied only by a thrilling heavy heartbeat, also from the original soundtrack.

Wash drawings in the animation are by Estelle Chauvard. More about the project can be read in the notes beneath the player at Vimeo.

This is another strong piece to be found in a Top Ten of films from classic poems selected for Moving Poems by Paul Casey and Colm Scully.

After Mowing by Jeffery Oliver

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A quiet, one-shot video from US poet-filmmaker Jeffery Oliver, After Mowing gives mindful attention to a tiny detail of an ordinary day. I appreciate the simple and personal quality of this piece that was uploaded just two weeks ago. As the poem appears on his website:

After Mowing

gnat wings and green grass
speckle

the white porcelain

day’s work
almost done

The Torrid Zone by Tania Haberland

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The Torrid Zone is a strong and beautiful video, the first one up in my Vimeo feed today.

The poem is by Tania Haberland. It can be read on the page below the video at Vimeo. Her voicing of it is marvelous: slow in rhythm, minimal, richly-toned, and affecting. From a bio for her:

…a tri-national poet (German-South African-Mauritian)… born in Africa, raised in Arabia and matured in Europe. She publishes, performs and exhibits her poetry and multi-media collaborations across the globe.

The abstract moving images and the soundtrack are credited to Poetics of Reverie. This is French artist Carine Iriarte and her collaborators in various media. She describes this project in her bio:

…a collaborative artistic project mixing poetry, electro music, painting, short films, movement and nature…

Seven things I know by Janet Lees

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Janet Lees is a poet and film-maker with a distinctive voice.

Her images are often black and white, with soft shades of grey, or tinged with the subtlest of colours. Her poetry is minimal in style, carrying quiet emotion. In counterpoint, the soundtracks are often lush in feeling. So it is in her latest film, Seven things I know.

The atmospheric music is by alt-pop duo Narrow Skies, Anita and Ben Tatlow. The song’s lyrics weave with those of the poem, which is given as text on screen. Anita Tatlow sings in an abstract way that is more musical than verbal, and so the song does not detract, but instead adds fine strands of meaning to Janet Lees’ poem.

The poem is whimsical while uncovering depth. A few of the seven things of the title:

the cadbury’s flake jingle

the magpie’s rough music

that eric morecambe
was not my uncle

Both poem and song lyrics are printed on the page with the video. This is a film in a single shot and slow motion rhythm, with breathing space for each of its elements.

More of Janet Lees’ films are to be found on her Moving Poems author page.

The Peace of Wild Things by Wendell Berry

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There is balm to be found in this poetry film from Wendell Berry‘s deep and enduring poem, The Peace of Wild Things. Berry has a close connection to rural Kentucky USA, where he was born in 1934 and has maintained a farm for over 40 years. It is his own voice in the soundtrack.

The animation is touchingly childlike, directed by UK artists Charlotte Ager and Katy Wang. The project was produced by The On Being Project, a non-profit initiative. Music and sound is credited to David Camp. In-depth process notes on the making of the film can be found here.

I found The Peace of Wild Things among a fine Top Ten of films from classic poems published recently on the magazine side of our site. These films were selected by Paul Casey and Colm Scully, organisers and judges of the Ó Bhéal Winter Warmer poetry festival and poetry film competition in Ireland.

Writing Advice by Brian Mackenwells

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Humour and silliness are not commonly found in poetry films. I rejoice when I stumble upon a piece that tickles my funny bone. Writing Advice by Brian Mackenwells is one such rarity. The synopsis:

A pencil-powered matchbox theatre outlines the risk of using sub-par pencils.

This is a one-man show, with Mackenwells as writer, narrator and film-maker. The video animation is amusingly home-spun and original. A bio:

Brian Mackenwells is an Irish writer living in Oxford. Despite being quite tired, he has written for the BBC about pencils, told stories on stage about not getting sick in zero gravity, performed standup about strange superheroes, and co-wrote an audio drama every month for five years.

I found Writing Advice among the finalist films in the 2022 Ó Bhéal Poetry-Film Competition in Ireland.