Watershed is a fusion of abstract music video and poetic text. Its maker, Carine Iriarte, calls this electropoetry. As with ambient electronic music, the piece is minimal, with mantric repetition of a fragment of a poem by Tania Haberland, whose spoken voice within the music is lush and lulling to the ear. The images meet the sound in fluid digital layers. The hypnotic experience of the video is like a trance meditation.
The Torrid Zone is another video from these artists featured before at Moving Poems, in that instance from a complete poem by Haberland.
Music and film are credited to Poetics of Reverie, a collaborative project of Iriarte.
An uplifting animation about age, gravity and being human, Weighing In is from a poem by Dominican-American writer Rhina Espaillat. The film was directed by Casey McIntyre for MPC Creative in Los Angeles in partnership with Motionpoems. It was especially designed as a film for children. The poem can be read on the page here.
From the brief and powerful poem by Percy Bysshe Shelley (1792-1822), this animated version of his Ozymandias is directed by Alvaro Lamarche-Toloza in France.
The soundtrack features the richly dramatic voice of Bryan Cranston reciting the poem in a 2013 trailer for Breaking Bad. The compelling voice is accompanied only by a thrilling heavy heartbeat, also from the original soundtrack.
Wash drawings in the animation are by Estelle Chauvard. More about the project can be read in the notes beneath the player at Vimeo.
This is another strong piece to be found in a Top Ten of films from classic poems selected for Moving Poems by Paul Casey and Colm Scully.
The Torrid Zone is a strong and beautiful video, the first one up in my Vimeo feed today.
The poem is by Tania Haberland. It can be read on the page below the video at Vimeo. Her voicing of it is marvelous: slow in rhythm, minimal, richly-toned, and affecting. From a bio for her:
…a tri-national poet (German-South African-Mauritian)… born in Africa, raised in Arabia and matured in Europe. She publishes, performs and exhibits her poetry and multi-media collaborations across the globe.
The abstract moving images and the soundtrack are credited to Poetics of Reverie. This is French artist Carine Iriarte and her collaborators in various media. She describes this project in her bio:
…a collaborative artistic project mixing poetry, electro music, painting, short films, movement and nature…
There is balm to be found in this poetry film from Wendell Berry‘s deep and enduring poem, The Peace of Wild Things. Berry has a close connection to rural Kentucky USA, where he was born in 1934 and has maintained a farm for over 40 years. It is his own voice in the soundtrack.
The animation is touchingly childlike, directed by UK artists Charlotte Ager and Katy Wang. The project was produced by The On Being Project, a non-profit initiative. Music and sound is credited to David Camp. In-depth process notes on the making of the film can be found here.
I found The Peace of Wild Things among a fine Top Ten of films from classic poems published recently on the magazine side of our site. These films were selected by Paul Casey and Colm Scully, organisers and judges of the Ó Bhéal Winter Warmer poetry festival and poetry film competition in Ireland.