The Love Song of J. Alfred Prufrock by T. S. Eliot (3)

Poet: | Nationality: , | Filmmaker:

Eliot’s enduring poem of male mid-life crisis gets a proper film treatment from Laura Scrivano and actor Daniel Henshall in A Lovesong, the third interpretation of Prufrock I’ve shared here over the years. The description from Vimeo:

‘Do I dare disturb the universe?’

A solitary man wanders the streets of a city, restless with indecision. As he tumbles down a rabbit hole of seedy dive bars, half deserted streets and shots of whiskey, time fractures – and it seems he might be destined to walk these streets forever.

Shot in New York by director Laura Scrivano, A LOVESONG the first film of THE PASSION series and features actor Daniel Henshall, star of AMC’s TURN: WASHINGTON SPIES and SNOWTOWN. thepassionfilms.com

Exploring Daniel’s fascination with poetry and text and the actor’s relationship to the both script and camera, his film takes as its starting point TS Eliot’s poem The Love Song of J. Alfred Prufrock, considered to be one of the founding texts of modernist poetry.

As for the series which it is initiating:

THE PASSION is an ongoing series of intimate short films, capturing some of the world’s most exciting actors in exclusive, commissioned performances, exploring and re-imagining key texts and modes of performance in contemporary settings.

Each edition of THE PASSION is crafted through a creative conversation with the featured actor, with a script being developed based on a classic text or mode of performance of the actor’s choosing.

Pushing the boundaries between cinema, storytelling, poetry, contemporary art and performance, the films will be as original, dazzling and individual as the talents that create them.

The stories THE PASSION will tell, the talents involved, the dramatic themes illuminated and the strength of each individual performance will make THE PASSION a unique and inspirational digital experience.

Usually in poetry film the most relevant collaboration is between a poet and a filmmaker, so this approach of developing scripts in conversation with actors is intriguing (though it doesn’t sound as if all the texts will be poems). A reply to a comment on Vimeo gives additional detail about the process here:

Director Laura and star Dan spent weeks talking about the poem’s possible interpretations, and on adapting the text, before our DOP was brought in to discuss how to render it on film. We were dreaming in Prufrock by the end of it.

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