Usually, the American poet and electronic literature expert Matt Mullins makes his own poetry films, but for this one he teamed up with Spanish director Eduardo Yagüe, providing only the poem, voice and music. The poem is dedicated to the Soviet artist Eva Levina Rozengolts (1898-1975), a drawing of whose appears in the credits. According to the Museum of Russian Art website,

Eva Levina-Rozengolts was one of the few Soviet artists who managed to creatively transform and express the trauma of Stalinist repression in a striking visual language.

Trained in the celebrated VkHuTeMas, the hotbed of early Soviet avant-garde, Eva Rozengolts worked as a textile designer and later a copyist at the Soviet Artists’ Union production studios. She was arrested in 1949 and sentenced to ten years of exile in the depth of Siberia where she lived in a settlement on the Yenisei river, in the Krasnoyarsk region. She was assigned to work as a woodcutter, wall painter, and later medical assistant. After returning from exile, she regained her creativity, undeterred by age and failing health. In fact, it was after her return from Siberia, that her talent came into its own. Unknown to the broad public, her work stirred the attention of the new generation of unofficial artists that emerged after Stalin’s death. After the collapse of the Soviet Union, Eva Levina-Rozengolts became recognized as one of the outstanding figures of the ‘lost’ artistic generation of the Stalin era.

Yagüe shot the film in Stockholm with actress Carolina Rosa.