I’ve been somewhat lax in posting new material here because of server instability at my webhost, which has resulted in frequent, short outages. I’m working to resolve this. In the meantime, here’s a video I made myself last week, which grew out of a translation project at Via Negativa, Poetry from the Other Americas. I posted some process notes there, too. The main thing I guess is that the footage of the construction site at sunset had come first, shot out the back bedroom window of the house where I’m staying in north London. The footage somehow made me think of these Pizarnik poems, which it seemed to me might form a unity with it. I shot the other footage purposefully for the video a few feet from the back door. Then I called on my friend Jean Morris for help in the voiceover, and drew on her superior understanding of Spanish to help polish my translations.
I’ve never seen a bilingual videopoem with both languages alternating in the soundtrack (though I’m sure someone must’ve done it before), so this was a bit of an experiment. I think it works—if it works—because the poems are short, and because each relates to the video imagery in a different way. But I suspect the same could be done with a single, longer poem if the languages were to alternate stanza by stanza. If anyone experiments further along these lines, do let me know.
Incidentally, if the post title seems a little familiar, that’s because the Spanish filmmaker Eduardo Yagüe has also made a film with three (different) poems from Pizarnik’s Árbol de Diana, Green Stones in the House of Night.