The poems from my forthcoming second poetry collection, Counterglow, are small and serious, and their sparseness prompts questions of space and the need to expand the visual-aural arc of my poetry’s scope. For these reasons, I’ve begun exploring video poetry. I’m excited about these transformations in poetics and the move toward digital experimentation. I began my video-poetry-sound experiments while I was an artist-in-residence at the Santa Fe Art Institute during August 2013.
It is possible that video poems are a way of grounding written speech back in the body, evoking a multi-sensorial experience of language and space. It is also possible that movements in digital poetics against narrative merely reiterate the varied ways in which all experience, language, and life is inherently storied– that is, fragmented structures tell a story of fragmentation, etc. It is likewise possible that the acoustic and visual “compete” with each other as Charles Bernstein suggests (2003) and that we are in the age of poetry “music videos,” a kind of anti-MTV or a poet’s last stand against bullshit assertions that poetry doesn’t matter. It definitely matters, and video poetry makes its materiality all the more substantive.
Visit YouTube to watch more of Killelea’s videopoetry.