I wanted a more experimental (frantic even) sequence of images for this one. I constructed a soundtrack around Steve’s reading. Re-edited sounds I created before, a sample from I.M. Rawes, taken from London Sound Survey, and new addings of heavily treated recordings (a boiler room) […]
I found the perfect images and atmosphere in one of the hundreds of excerpts out of “The International Institute for the Conservation, Archiving and Distribution of Other People’s Memories” on IICADOM.
A weird combination of naive stop motion (with clay, hands and beans) with some alienated dancing and dark faces in between… A strange string of associations, perfect for what I had in mind.